Art Nouveau was a characteristic European artistic style common at the onset of the preceding century. From the year 1980, the revolution captured Europe and proposed anew style art. They came up with style deriving its themes from natural observations. During this period, numerous artists came forward with illustrious paintings and works of art. The write up looks at some of these artists and their eventful contribution to the new style.
Artchive (2011) denotes that Egon Schiele was a renowned artist with credit for numerous masterpieces of the art Nouveau era. Apparently, his generation viewed him as the direct successor to the illustrious Gustav Klimt. However, his early demise left behind an unachieved dream, (Artchive 2011). Many writers like Tschudi-Madsen (2002) agree that his uncharacteristic skills and temperament is attributable to his upbringing and unique relations backdrop. Borne to an Austrian Rail road worker at the onset of the European art resurgence who later died while was still at tender age, (Tschudi-Madsen 2002). Artchive (2011) concludes that the manner of his father's death and his dislike of his mother significantly contributed to the themes he developed in his paintings.
Artchive (2011) denotes that Klimt introduced Schiele to the legendary Wiener Werkstutte where he made textile designs. Apparently, his involvement in this institute afforded him the opportunity to showcase his maiden exhibition in Klosterneuberg, (Artchive 2011). Purportedly, towards the close of that century, he established his own studio.
Artchive (2011) denotes that his work at this studio had a characteristic influence of his unusual interest in youthful girls who dictated numerous themes of his drawings. Tschudi-Madsen (2002) observes that most of his eelier works were erotic portraits of these youthful girls while his potential clients were pornography enthusiasts who were countless in Vienna at the time. However, his continued involvement with under age girls leads to cruel treatments from certain towns. Schiele died of influenza later on in 1918 amid the First World War.
Henrie de Toulouse-Lautrec
Artchive (2011) observes that despite his constant illnesses as a child, by the time he turned ten, Henrie de Toulouse-Lautrec had adopted the dark arts of art and craft. At the turn of his teenage years, the ambitious young artist had an accident which ended up breaking his two legs. Artchive (2011). Reportedly, this is the reason behind his abnormal physical appearance characterized with full size upper body coupled with stunted short legs.
Tschudi-Madsen (2002) observes that, having developed physical disability at a young age, the artist spent most of his earlier life enhancing his artistic skills. Additionally, his depiction of bohemian lifestyle is attributable to observations he made in his surroundings. Tschudi-Madsen (2002) observes that he dwelt mostly in night clubs and as such only created images of such peoples as caretakers and prostitutes. Tschudi-Madsen (2002) denotes that he recorded his observations and imaginations canvas or made them into lithographs. Tschudi-Madsen (2002) denotes that the artist had significant influence on the community. For instance, it was a common phenomenon to find him amid huge crowds in bars enjoying light moments while at the same time making sketches that he would later expand into spectacular paintings in his studio.
Tschudi-Madsen (2002) denotes that his continued heavy drinking was responsible for his ill health. By early nineties, the effects of the constant drinking confined him to an infirmary. He finally died while under the care of his mother. What distinguishes Toulouse-Lautrec from many of his contemporaries was his ability to make coherent observations and ultimately derive spectacular paintings from them. He made portraits of individuals who were of less significance to the then society. His pictures of prostitutes, bartenders and care takers showed the cruel conditions under which some members of the society.
Numerous pieces of literature exist concerning the works and life of Aime Arnould. Such pieces of literature includes Art History (2011) which depicts the artistic master jeweler who established such renowned jewelry designs that are still revered across the globe. Artchive (2011) denotes that the veteran jeweler launched his career in France in 1890 and immediately embraced the wave of modern art that was sweeping across Europe at the time. His contribution to the establishment of the art Nouveau was through the creation beautiful peaces of jewelry inspire by nature.
Reportedly, fluid graceful lines and vibrant curves featuring figurative figures of elegant feminine outlines characterized his works. Similarly, his work took varied natural shapes such as shapes of butterflies as well as plants, flowers and ivy, (Artchive, 2011). These shapes were the characteristic outlines associated by art nouveau across France.
Tschudi-Madsen (2002) observes that Paul Cauchie studied at the illustrious I'Ecole des Arts institute in Belgium. Tschudi-Madsen (2002) denotes that the veteran artist discovered his talent at a tender age and while still studying, he established a fresco enterprise which became very successful. In his later career, he engaged in the uncharacteristic art of the sgraffites. The technique was very peculiar for color drawing around Belgium at the time. His artistic skills extended to architectural designs, an area he exceedingly excelled.
Numerous artists aided the development and establishment of art nouveau. A part from veterans like Gustav Klimt, artists and architects like Paul Cauchie Aime Arnould, Egon Schiele and Henrie de Toulouse-Lautrec contributed to greatly to art and craft that pursued the beauty of nature and of the feminine outlines.