Entertainment has occupied a central role to the social human beings. As a result, man has sought the best form of entertainment over the years. The doctrine of survival for the fittest has had its claws in the development of movies and producers have had to strive to present the best. Anything apart from the best has always had its share of criticism, thus most movies designated as bad pictures have actually contributed to screening of what we designate excellent and good pictures.
Art has metamorphosed over the years from primitive acts through live theatre to the contemporary motion pictures. The place held by art in peoples livelihoods ranges from education to entertainment. Most of motion pictures have been able to achieve most of their desired purposes as outlined by movie analysts. Thus, after a movie hits the stores or is screened, most individual will always put forth a comment about the characteristics of the movie. Movie critics and analysts have specific aspects of the movie which the look at to calibrate the success of the movie.
The old saying goes: do not judge a book by its cover. However, the title of a movie is the first point of contact between the movie and viewers. It communicates the expectations that the viewers should have of the movie as well as giving an idea what the movie is about. As a result, the title is assumed to represent the plot of the movie, the story line, the moral lesson or the message being passed along (Pollick, 2009). From the title, most viewers draw conclusions bout the appropriateness of the movie.
As a result, the title should be representative of the contents. However, some titles are not specific to the content of the picture. According to Christensen & Haas (2005), the main aim of such a title is to create suspense in the viewers and elicit the need to find out more by watching the picture. All in all the title plays a major role in movie analysis. This is so because the title has to concur with the content of the picture even though it does not give away the content. For example, the common action (spy movie) titled 24 has a title which gives minimal clues regarding the content of the movie. However, the title fits the characteristics of the movie since it runs for 24 hours in real time. The title represents the main characteristic of the movie. Apparently, the fact that the movie runs for 24 hours real time is the distinguishing factor from other movies of its genre.
Each movie is based on a story line from which the script is drawn movie ideas are based on real life or abstract ideas as asserted by prunes et al (2002). Whichever basis it is, the story line has to possess specific characteristics. Viewers are interested in following the story line of the movie. The producer has to find ways of passing the message through the story line in a model that is least confusing while possessing the right amount of complexity and suspense.
The story line is normally presented through the progression of scenes. Each scene has a different setting played out by the cast. Owing to this fact, the cast has to portray the story line to the best possible degree to enable the viewers to appreciate the story line. Thus, the progression of scenes has to be sequential in order for the viewers to follow and connect the dots of the movie. The storyline of a movie follows a chronological sequence with events happening one after another in a causative mode (Christensen & Haas, 2005). However, motion picture is not subject to this kind of succession. Producers are free to arrange the scenes in such a way to create suspense and interest. Through mixing scenes, the producer is able to generate interest among the viewers.
However, some movies have complicated plots and story lines, complicated even before the scenes are manipulated to create suspense. In such instances, it is possible to lose the viewers along the way, with no hope of regaining their comprehension. Through use of chronological directions, for example, ‘2 years later’ on the screen, it is possible to keep the viewers abreast as the picture progresses.
Most movies producers use previews or text directions to bring the viewers to date with the movie. As a way of creating enough room to include motion pictures, this method works best to outline messages that could not fit in the picture or be displayed satisfactorily. This mixture of text and motion picture creates suspense as well as places all the viewers on the same levels of knowledge regarding the movie.
The facts outlined before the movie are also important in presenting important information to the audience. As observed in Troy, the producers outlined in both audio and text message the history of the main characters before the picture rolled. The suspense created by this type of introduction imposes a need among the viewers, a need that can only be satisfied by watching the movie to completion.
Use of chronological directions can enable us to know the quality of a movie. The scenes presented have to match the eras posted as the settings of the movie (Wysong & Perrucci, 2007). Thus, the story line should possess characteristics of the time when the events occurred or when the movie was made. Futuristic movies should portray the cultural, social, political and economic characteristics of the inhabitants of earth on the stipulated date. Nowadays, producers are creative and are engaged in production of movies to portray events in the future or the past.
Care should be taken to include environmental aspects of the era in order to present the right message and complement the cast. For instance, a movie set in 1900s would definitely not feature a convertible Mercedes Benz, unless it is a comedy, in which case the producer’s creativity would have gone through the roof. The plot should also use the right proportion of actions, speech and effects to bring out the real message. Real life situations are comprised of the three. As a result, producers should target the right mix of these three media of communication to outline the message to the viewers.
The characters in a movie play a major role in the quality of the outcome. Movies are in most instances completed and capped by the acting capacity of the cast. As a result, every storyline is capable of being transformed into an interesting movie, through use of the right characters. The characters represent the movie in that viewers are looking for a movie with which to associate with. The closer it is to real life situation, the more appropriate the movie is. This is only possible through use of suitable characters.
According to Christensen & Haas (2005), the characters have to complement one another in the roles. Each character has to play their role exemplarily and support the roles of other characters. Since the movie is a depiction of interaction between events of the postulated characters, without a perfect fit, the movie will be fragmented and boring. The storyline will be barely discernible and thus leading to a failed investment. Characters have to portray their roles through dialogue and actions. Villains and heroes have to depict their identities through both actions and dialogue. Supporting actors are mainly not projected in terms of dialogue but their role should also stand out clearly.
All actors should contribute to the message and story line of the movie. The question to ask is whether each actor participated in postulation of the plot. Whether supporting, hero or villain, the storyline is hinged n their contribution. Without a role in development of the storyline, the actor is loose cannon and should be discarded from the picture.
Movies target to impress viewers through creative and interesting depiction of scenarios. Unless the picture is a documentary, most producers choose the most exotic and breathtaking sites to base their act on. In addition to presenting a good performance from the cast, the scenery will act as a good reference point as well as a background to complement their efforts. Exquisite shots of the surrounding environment are used to create suspense as well as complete the totality of the scenario. This form of display is used to represent information about the storyline that is not available through oral description.
The setting of the movie also transports the viewers to the locations and brings them a feeling of being there with the actors. Bird’s view shots are sufficient to calibrate the geographical location of the setting of the movie and create suspense as well as engaging the viewers in the thought process (Prunes et al, 2002). For example, an aerial view of a skyscraper just after the shot of an executive suggests that the executive is destined for the highlighted location.
Producers are mandated to relay a message about their desired storyline through the movie. Thus, most instances necessitate special effects as a means of capturing all the aspects of the movie in an accurate way. The use of special effect is what sets movies apart from day to day happenings. Without special effects, movies would barely be able to capture he attention of viewers. Thus, movie producers have to use special effects in the most appropriate way to achieve the desired outcome.
The quality and advancement o special effect determines the visibility of a movie. Special effects come in play when it is not possible to actually perform the script. For instance, a scene that includes stabbing or some form of violence cannot be actually acted out, thus the producer must employ use of special effects.
Editing of movies enables the producers to fine-tune the scenes to meet the desired criteria. Movies are edited in order to link all the rough-cut scenes into meaningful progression of events. Without sufficient editing, any flaws in the movie will not be corrected. Similarly, any special effects are instilled into the movie during editing in order to give the movie a taste of exoticism.
Movies are edited in order to allow the viewers understand the plot since the shooting of the movie acts in parts that are not chronologically sequential. Editing should not come in the way of quality. Edited movie should match dialogue with the message displayed by actions. Similarly, dialogue should flow smoothly without seams during the scenes. Dialogue and action should progress through to a climax without leaving the viewers behind.
Each director has a sociality to which his movies are skewed. Such a specialty etches a signature discernible from the characteristic of each movie they have directed. As a result, regardless of the genre, it is easy to decipher the director of a movie from the watching the picture itself. This is because of the fact that the director is able to portray the intentions of the scriptwriter as well as appreciating the abilities of the cast and crew. His experience about what interest and impresses the viewers enables him to outline the characteristics of dialogue, camera angles and viewpoints or even the soundtrack choice as posited by Prunes et al (2002).
Directors are also specialized in terms of the genres of the movie owing to the cast members who they have worked with. Once they have struck a rapport with the cast, it is possible that a certain director specializes in roamed or action movies. Over time, the director forms certain habits that he becomes accustomed to thus they become his signature traits.
Each movie has a costume designer as well as make-up artists. Such individuals are mandated to ensure that the quality of the picture is sufficient to support the storyline. Through use of color shades and hue, they create suspense and transition from one scene to another. In good movies, the background should complement the movie but not overwhelm the quality. By using overwhelming background, the audience is bound to get distracted by imposing background and miss the important details.
Cost of production comes in as a major factor of chartists of a movie. The success of a movie is sometimes based on its cost owing to the fact that the input resources should match the quality of the picture (Wysong & Perrucci, 2007). Subsequently, most pictures with huge budgets feature the most revered cast while low budget movies are starred by upcoming actors. Thus, if a low cost movie is able to break the barriers and impress the viewers, then the cost feature are not regarded much of an issue in determining its success.
Production of a movie is complicated affair that necessitates utmost appreciation of the characteristics of the audience as well as the other environmental factors. As a result, it is imperative to take into consideration the features of the movie in relation to the designated viewers. Since first impression is the greatest weapon owned by producers, it is imperative to give the viewers a reason to dedicate their time to view the picture for the remaining 90 or so minutes.